Princess Superstar – Last of The Great 20th Century Composers (LP, US)

B1. NYC Cunt
B2. Year Two Thousand (feat. John Forte)
B3. Love/Hate to be a Player
B4. Sex (I Like)
B5. Do it Like a Robot (Jon Spencer Remix)
B6. My Life

The album features Do It Like A Robot (Jon Spencer Remix) on which Jon Spencer plays drums and guitar.

A1. Intro: Last of the Great 20th Century Composers
Writers: C. Kirschner/C. Webster
Produced: Curtis Curtis and Concetta (BMI)
Additional Dialogue: Ned Ambler
Astronauts: Ned Ambler/Curtis Curtis/Janus Lorenzen
Moog Modular: Curtis Curtis
Drums/Organ: Curtis Curtis and Concetta

A2. Do It Like A Robot
Writer: C. Kirschner
Produced: Curtis Curtis and Concetta (BMI)
Moog Modular/Tamborine: Curtis Curtis
Samples/Scratching: Concetta
Bass: Wa;ter Sipser
Go Baby Girls: Calicia Briggs/Dahlala/Letiol
Drums/Keys: Curtis Curtis and Concetta

A3. Meet You Halfway (Keep It On The Alright)
Writer: C. Kirschner
Produced: Concetta and Curtis Curtis (BMI)
Bass: Walter Sipser
Drums/Keys: Curtis Curtis and Concetta

A4. I Hope I Sell A Lot Of Records at Christmastime
Writer: C. Kirschner
Beat Programmed by Prince Paul, Prince Pawl Music (BMI)
Produced: Concetta and Curtis Curtis (BMI)
Xtra Samples & Scratches: Concetta
Kids: Alaia and Alatz Ortga
Aww Honey: Darryl & Suede Sanat/Add’l. Vocals: Curtis Curtis
Prince Paul appears courtesy of Tommy Boy Records

A5. Come Up To My Room (feat. Baron Ricks)
Writers: C. Kirschner/B. Ricks
Produced: R. Alston/C. Ambrose/J. Adkins/C. Kirschner/C. Webster (BMI)
Guitar: Cezhan Ambrose
Bass: Walter Sipser
Bark: Louise!

A6. Kool Keith’s Ass
Writer: C. Kirschner
Produced: Concetta and Curtis Curtis (BMI) with Kool Keith
Girl: Irina
Bass: Walter Sipser
Shaker/Digital Scratching: Curtis
Drums/keys: Concetta and Curtis Curtis
Kool Keith appears courtesy of Columbia Records

A7. Bump Your Ass Off (feat. ChessTBunz, Slick Muffins and Brock)
Writers: C. Kirschner/Riggs Moreales
Produced: Concetta/Curtis Curtis/Cezhan Ambrose (BMI)
Strings: Petra Haden/Cezhan AMbrose
Bass/Keys: Concetta
Addl. Vocals: Curtis Curtis/Riggs Morales
Drums: Concetta/Cezhan Ambrose/Curtis Curtis

B1. NYC Cunt
Writers: C. Kirschner/C. Webster
Produced: Concetta and Curtis Curtis (BMI)
Bass: Walter Sipser
Drums/Keys: Concetta and Curtis Curtis
Guitar: Concetta
Hand: Suede!
Intro Players: Felicia Gould/Walter Sipser/Louise Crane/Clyde Haygood
NYC Cunt Singers: Louise/Hirschel/Clyde/Lissa/Curtis/Amanda Ray/George

B2. Year Two Thousand (feat. John Forte)
Writers: J. Forte/C. Kirschner/C. Webster
Produced: Concetta and Curtis Curtis (BMI)
Bass: Concetta
Drums/Keys: Concetta and Curtis Curtis
John Forte appears courtesy of In Any Event

B3. Love/Hate To Be A Player
Writer: C. Kirschner
Produced: Concetta and Curtis Curtis (BMI)
Bass: Walter Sipser
Drums/Keys: Concetta and Curtis Curtis

B4. Sex (I Like)
Writers: C. Ambrose/C. Kirschner/M. Linn/W. Sipser
Guitar: Cezhan Ambrose
Bass: Walter Sipser
Drums: Money Mike Vox: Concetta

B5. Do it Like A Robot (Jon Spencer Remix)
Writer: C. Kirschner
Produced: Jon Spencer
Live Drums/Guitar: Jon Spencer

B6. My Life
Writer: C. Kirschner
Produced: Concetta and Curtis Curtis (BMI)
Drums/Keys: Curtis Curtis and Concetta
End Live Drums/Guitar: Concetta
Percussion: Curtis
End Bass: Walter Sipser

“While the art of ancient cultures may seem primitive, it often proves an important tool for us to understands our forebearers. While excavating the ruins of New York City (a metropolis located in the northeast area of what was then the North American continent), archaeologists found the work of a mysterious figure known as “Princess Superstar,” who was a poet, musician, hustler and member of that city’s ruling class. Carbon dating and meticulous researching references have placed this document at the very previous millennium, thus making Princess Superstar “Last of the Great 20th Century Composers.”

This album (as these items were referred to then) contains a number of valuable educational resources. First and foremost is her use of the archaic musical form of “hip hop,” named for its hopping-like drum patterns. Current audiences, however, will find a trace of the familiar in the occasional-albeit primitive-example of “electronic flip-flop” much as used in most planetary anthems today.

This document also offers a fascinating depiction of the late 20th Century cultural concerns. “Kool Keith’s Ass” contaains the first known recorded conversation with the last president of the United States who disappeared during the Porn Wars of 2113.

Princess Superstar and Prince Paul (one of the elite class known as “male models”) address contemporary religion with “I Hope I Sell A Lot of Records at Christmastime,” a song which refers repeatedly to “Santa,” a red-robed figure whose name in some cultures was slightly altered to “Satan”. A composition entitled “Come Up to my Room” features a man entitled “Baron Ricks” (undoubtedly from the same Royal Court) imploring the Princess to join him in what must be a secret romantic cave, that is, someplace “where the sun don’t shine.” Another noteworthy file, “Do It Like A Robot,” (remixed by Sir Jon Spencer) is a rousing classic, although at this time Scholars have been unable to determine what a “Robot” is. Composers, this is an invaluable document for musicologists, anthropologists, historians, and perhaps even you.”

BARCODE: 6 79577-0004-1 8

RUN-OUT GROOVE ENGRAVING:
A: “CC-04-A 5-43247”
B: “CC-04-B 543248”