| 14 April 2018 | 30th Century Records / Columbia | Y4LP3C23 |
| SIDE A: 01. Steven Price – Robbery Arrival 02. Danger Mouse Feat. Run the Jewels and Big Boi – Chase Me 03. Ennio Morricone – Secondo Intermezzo Pop 04. Steven Price – Candy From Baby / What’s In There Is Ours 05. The Foundations – Harlem Shuffle 06. Steven Price – Sunset That Ride 07. Lily James & Ansel Elgort – You’re Back! 08. Barbara Lewis – Baby I’m Yours 09. Unloved – Cry Baby Cry 10. Steven Price – Keep Driving and Never Stop 11. The Steve Miller Band – Threshold 12. Boga – Nowhere to Run (Baby Driver Mix) 13. Vinnie Maniscalco – TaKillYa (Baby Driver Mix) SIDE B: |
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| NOTES: | |
| US pressing on 150g vinyl with download insert.
Part two of the Baby Driver soundtrack includes Jon Spencer‘s dialogue from the film on the track “Postcards from Debora” and Danger Mouse ft. Run The Jewels and Big Boi – Chase Me which is a remix of The Jon Spencer Blues Explosion – Bellbottoms. Chase Me was also previously released as a 12″ single on Black Friday 2017 and appeared on the double CD edition of the Baby Driver soundtrack. “Featuring even more gems from almost every musical genre and spanning across multiple decades, Baby Driver Volume 2: The Score For A Score will be released on April 13, 2018 via 30th Century Records / Columbia Records. The album features more memorable songs from the movie, exclusive tracks and special remixes that mirror the unique experience of the movie as well as dialogue excerpts from the film, and the unreleased score by Oscar winning composer Steven Price. Written and directed by Edgar Wright, Baby Driver tells the story of Baby, a talented, young getaway driver who relies on the beat of his personal soundtrack to be the best in the game. Celebrate your freedom by blasting out Baby’s perfect score-for-a-score at maximum volume! “ |
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| SONG CREDITS: | |
| Side A: Tracks 1,4, 6, 10 and Side B: Tracks 2, 4, 10, 13: Composed and Produced by Steven Price Published: MRC Global Music (ASCAP) / Twenty Fifteen Avenue Music, Inc. (ASCAP), admin. by Sony / ATV Music Publishing LLC Performed by The Philharmonia Orchestra Conductor: Geoff Alexander Orchestra Contractor: Paul Talkington Orchestrations: David Butterworth Recorded at Abbey Road Studios, London Engineer: Andrew Dudman Protools Operator: Matt Mysko Score Mixed by Gareth Cousins Music Editor: Bradley Farmer (p) 2018 TriStar Productions, Inc. Side A: Tracks 1, 2, 4, 5, 7, 9, 10, 12, 13 and Side B: Tracks 1, 2, 4, 5, 6, 7, 8, 10, 11, 12, 13, 14: Contain dialogue from the motion picture “Baby Driver” used under license to Columbia Records from TriStar Productions, Inc. Written by Edgar Wright Performed by Morse Diggs, Ansel Elgort, Flea, Jamie Foxx, Eiza González, Jon Hamm, Lily James, Jon Spencer, R. Marcus Taylor and Paul Williams Soundtrack Executive Producer: Edgar Wright Side A: 02. Danger Mouse Feat. Run the Jewels and Big Boi – Chase Me Contains a sample for “Bellbottoms,” written by Jon Spencer, Judah Bauer and Russell Simins. Also contains a portion of the motion picture “Baby Driver.” 03. Ennio Morricone – Secondo Intermezzo Pop 05. The Foundations – Harlem Shuffle 08. Barbara Lewis – Baby I’m Yours 09. Unloved – Cry Baby Cry 11. The Steve Miller Band – Threshold 12. Boga – Nowhere to Run (Baby Driver Mix) SIDE B: 01. Run the Jewels – Run the Jewels 03. Boards of Canada – Ready Let’s Go 05. Kid Koala – Debora 07. Focus – Hocus Pocus (Baby Driver Mix) 09. R.E.M – New Orleans Instrumental No 1 12. Sky Ferreira – Easy (Baby Driver Mix) 15. Mint Royale – Blue Song |
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| SLEEVE NOTES: | |
| “As you may know, my initial auto dream of ‘Baby Driver’ goes way back to 1995. I even did a music video that was a dry run for the opening scene (Mint Royale’s ‘Blue Song’, featured here) back in 2002. But it wasn’t until 2007 that I started to actually talk about this passion project of a film out loud to my colleagues. Before I even wrote a word I needed some help. Since I wanted to make a musical that combined action, songs, score and sound effects I reached out to two musical geniuses. One I didn’t know and who would become a longtime collaborator (then music editor, now Oscar winning composer Steven Price) and another who I was a huge fan of (North London musical mash up genius Osymyso). Both of these people helped me break down my wild ideas so that I could essentially hear ‘Baby Driver’ before I put pen to paper. I am thrilled to say that they also worked on the finished film that came out a decade later. I’ll let them talk before you disappear down a musical rabbit hole of more music from the movie, special remixes and inspirations. Enjoy. – Edgar Wright, December 2017 In 2007 I was introduced to Edgar Wright for the first time. He’d had a uniquely ambitious idea for a movie where every frame would be driven by and entwined with music, and needed someone to help breaking down some of the tracks he was thinking of incorporating. At the time I was working as a film music editor for some mutual friends, so I got the call. Initially, I had no idea how the idea might work, but the choices of songs were so magnificent that I knew I wanted to be part of it. Cut to 10 years later, and I’m sitting at Abbey Road Studios recording the score I’ve written to weave together the diverse collection of tracks that have become the metronomically beating heart of Baby Driver. During that 10 year period, so much has happened, so much of it stemming from that initial meeting with Edgar, but throughout it all Baby Driver kept on evolving and developing into the movie you know today, a movie that the whole team involved are incredibly proud of. It was an honour to be part of it from the first notes to the last. I hope you enjoy this second volume of the soundtrack, featuring some of the deeper cuts and score selections that drive Baby’s story. – Steven Price, December 2017 In January 2008 I received a slightly vague by intriguing email from Edgar asking me if I was “Up for doing a preliminary experiment with this idea – mixing sound effects and music.” Of course I was. A few days later I received an email with a description of a scene in a movie, the first words were “BELLBOTTOMS – car approaches and pulls up, handbrake, song starts.” Using this outline, I created a soundscape made up of noises gathered from my local high street and a supermarket car park. Incredibly the timings of these door slams, footsteps, alarm sounds and tapping on the dashboard are virtually the sam in the finished movie 9 years later. As I created more of these audio montages it made me realize how much like Baby we all are, how we all like to interact with the world in time to the music in our earbuds, we all walk to the rhythm, chew on the off-beat and close doors in time the snares, right? this compilation is designed to bring out the Baby in all of us and you can enhance it by playing it as you walk down a busy city street, allowing the sounds around you to blend in and create a unique mix on each listen. Edgar Wright would like to thank all of the licensors who made this project happen, all the artists who inspired him to make the movie and Steve & Osymyso for being there right from the start.” |
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ARTWORK: [no details given on sleeve]
BARCODE: 190758211619 RUN-OUT GROOVE ENGRAVING: |
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