| 7 May 1997 | Matador Records | OLE 255-1 |
| A1. Get With It A2. Can’t Stop A3. Son of Sam A4. Cool Vee A5. Afro A6. R.L. Got Soul A7. Blues X Man B1. Water Main |
![The Jon Spencer Blues Explosion - Controversial Negro [Promo] (LP, US) - Cover](http://www.pop-catastrophe.co.uk/wp-content/uploads/2013/07/1cDSC01651-300x300.jpg) |
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| Promo only live album. US vinyl edition, all copies shrink-wrapped with die-cut white paper inner-sleeve, also issued on CD.
Recorded live November 25, 1996 at The Hotel Congress in Tuscon, Arizona. Available as a promo album in the US and UK. Officially released in Japan with five additional tracks (1997) and the 2010 expanded edition featured a total of 29 tracks. The sleeve for this release is referred to in a 2000 word article titled Mo’ Bitter Blues (Vox, May 1997): “To the casual observer The Jon Spencer Blues Explosion may seem like little more than surly, self-important nihilists with an all-encompassing persecution complex. Yet their studious reserve in the face of journalistic interrogation is hardly surprising when you consider that the staunch traditionalists of the American rock media have recently branded them as racists, simply because they’ve dared to treat the blues as something other than a sacred museum piece. A situation soon to be exacerbated by the band’s forthcoming promo live album, rather incautiously titled ‘Controversial Negro’ and garishly illustrated with a day-glo Warhol print of Mick Jagger’s iconic countenance. Ultimately, Jon Spencer is playing with fire. He’s gleefully taunting the inverse-racists of so-called liberal America with incendiary images. He is, after all, a graduate of semiotics (the brand of linguistics concerned with signs and symbols), so he knows exactly what he’s doing. ‘Controversial Negro’ works on two distinct levels: firstly it’s a timely reminder to the journalistic ‘squares’ of far simpler times, when Jagger and his Rolling Stones (now untouchable old-guard stalwarts) were similarly decried for ‘bastardizing the blues’; secondly, it’s a forceful visual communiqué that the Jon Spencer Blues Explosion staunchly refuse to be intimidated into artistic compromise.” – Vox, May 1997 The title for this album comes from the Public Enemy song Burn Hollywood Burn from their 1990 album Fear of a Black Planet. Towards the end of the track someone asks Flava Flav the following question: “Now we’re considering how do you for a part in our new production, how do you feel about playing a controversial negro?” The artwork used on the promotional version along with the title Controversial Negro was originally intended for Now I Got Worry. |
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| Song credits shown below are as they appear on Controversial Negro [2010]:
Live sound by Peter Arsenault Recorded live November 25, 1996 at The Hotel Congress in Tuscon, Arizona by Jim Waters, assisted by Saylor Breckenridge All songs: except: A1. Get With It A2. Can’t Stop A3. Son of Sam B3. Fuck Shit Up |
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ARTWORK: Back Cover Photograph: Brian Velenchenko BARCODE: n/a* *although this item does not actually have barcode as such the artwork does feature the number “7 44861 02551 1” which is probably what the barcode number would have been had this been commercially released. RUN-OUT GROOVE ENGRAVING: |
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